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"S 'Stebrom' Prosenceva preucuje zunanjost telesa - teksturo koze, obrise
misic, oglate robove bokov ali komolcev, vendar edinstvenost fizicnega
utelesenja zaplete tako, da kombinira vec teles. V resnici vidimo slike
prepletenih teles, ki se mesajo in zlivajo, dokler ne postanejo ena
sama
plastovita amorfna cloveska oblika. S tem delom nam Prosenceva pokaze,
da so
meje telesa spremenljive in nam ponuja novo dojemanje jaza, ki se siri
preko
roba telesnih omejitev. Poleg tega Prosenceva projicira to telo na
steber in
tako cvrst tridimenzionalni prostor preobrazi v cutno gibanje. Prostor
umetniskega dela postane domisljijska projekcija, ki se siri iz nasega
obcutenja bivanja v enem telesu v neko vrsto obce medsebojne
povezanosti, ki
jo Prosenceva nedvomno obcuduje."
Holly Willis
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"With 'Pillar', Prosenc studies the body's exterior - the texture of
skin,
the ripple of muscles, the angular edges of a hip or elbow - but
complicates
the singularity of physical embodiment by combining more than one body.
Indeed, what we see are images of intertwined bodies as they merge and
blend
to become one layered, amorphous human form. With the piece, Prosenc
suggests the mutability of the body's boundaries, inviting us to
understand
a sense of self that expands beyond the confines of somatic limitation.
Further, Prosenc projects this body onto a pillar, in effect
transforming
the solidity of three-dimensional space into one of sensuous movement.
The
space of the artwork becomes a fantasy projection extending from our
own
sense of embodiment while suggesting a kind of interconnectedness that
Prosenc clearly admires."
Holly Willis
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